Few writers are able to nail the retrospective surreality of a place and time in history with the elegant efficiency of Bill Broady. Set against the backdrop of a seedy, institutionally misogynistic and terminally necrotic Leeds of the 1970s, the unnamed narrator of There’s No ‘F’ In Wonderful is a knowing flâneur, a recorder of the sociocultural zeitgeist.

Next month, the transept of Ripon Cathedral will come to life with a 1723 plea for freedom, written by an anonymous enslaved Virginian and almost certainly addressed to the Archbishop of Canterbury himself. The story behind its rediscovery is, in its own way, as remarkable as the play it inspired.

In an era increasingly dominated by playlists and individual singles, Held Here Together feels refreshingly intentional. It invites listeners to slow down, absorb its narratives and appreciate the craftsmanship behind every arrangement. Bird has created an album that is elegant, heartfelt and quietly compelling—one that lingers long after its final notes fade.

The sad passing of David Hockney made me take stock of my life. As I approach 78, I realise I must fill each day with something meaningful. Ok, Hockney was what people call 'a good age', whatever that means. He was the sort of icon you imagine to be immortal, like David Attenborough and the Queen. I was surprised how many children were affected by his death.

That opening 'O Fortuna' is electrifying — dynamics are observed with real precision rather than mere brute force. Anyone of a certain age will recall its rather unlikely second life soundtracking a men's aftershave advert in the 1970s and '80s, which says something about how a single thrilling fragment can eclipse a far richer whole in the popular imagination. It's a pattern that feels uncomfortably familiar in other walks of life too – not least, dare I say, in the way British politics now rewards the soundbite over substance. Orff's wheel of fortune deserves more than fifteen seconds of fame.

Few artists capture the complexities of human emotion quite like Scott Quinn. The British singer, songwriter and multi-instrumentalist returns with his poignant new single, Places in London, a heartfelt reflection on the hidden losses that linger after heartbreak.

Across an extensive catalogue, Andrews has explored themes of longing, vulnerability, faith, grief, and human connection through songs that often feel more like carefully crafted narratives than conventional indie compositions. Their latest release, Fragile World, continues that tradition while presenting a collection that feels remarkably immediate, intimate, and unguarded.

Rob Jones & The Restless Dream is the project of UK singer-songwriter Rob Jones, a former teacher turned full-time musician, whose songs blend big choruses, rich instrumentation, and a storyteller’s eye for life’s detours. Rooted in classic songwriting and narrative-driven lyrics, Rob’s work draws influence from artists like Bruce Springsteen and Tom Petty.

The 2026 winners of the Northern Aldborough Festival New Voices Singing Competition have been crowned as countertenor Tom Lilburn and his accompanist Jack Redman. Now in its fourth year, the nationwide search spanning concert halls and conservatoires has become a showcase of the hottest rising stars, with a £7,000 prize fund.

The London-based rock project Thirsty Quireboys returns with God Bless America – Best Of Thirsty, a striking collection that serves as both a heartfelt tribute to the late Guy Bailey and a bold reimagining of the music he created with lyricist Irina D.

Bursting with English eccentricity, the plot of Operation Mincemeat comprises all the ingredients of a theatrical farce peppered with a dash of Bond.

It was a balmy evening in St Leonards and word hadn't got out that this Manchester singer and his bandmates were, for one night only, charming the locals with their catchy, classy and clever spur of reflective indie. But Later Youth weren't thrown. No doubt used to bigger crowds they still delivered a fantastic, clean and as polished a set as you’d expect from seasoned pros.

With more than 85 million streams to her name, Florrie has long occupied a distinctive corner of British pop. A drummer, songwriter, producer and multi-instrumentalist, she has built a career balancing studio innovation with undeniable pop instincts, collaborating with everyone from Girls Aloud and Kylie to George Ezra and One Direction.

She opens with the lyrical and rather lovely Handel Violin Sonata in D major — rhythmical and expressive, with delightful accompaniment from Bai. The playing throughout is perfectly balanced and crisply articulated, the dynamics judged with care, each movement elegantly shaped.

This is a beautiful novel which evokes all sorts of emotions. Set in Trinidad and partly in New York City, it is written in a patois which has a musical lilt to it and which quickly becomes familiar. Likewise, although the dialogue is not punctuated, it is laid out in such a way as to make it easily readable.

Two young creators from Sheffield have given Yorkshire something to cheer about at this year's BAFTA Young Game Designers competition, taking home half of the four awards on offer.

Fresh from a raucous performance at The Great Escape Festival and ahead of the release of their powerful new single Epitaph (Not There), The Entitled Sons are showing no signs of slowing down. The independent five-piece have just announced an intimate record store tour, giving fans the chance to hear new music and get up close with the band.

Harrogate International Festivals today announced the shortlist for the Theakston Old Peculier Crime Novel of the Year Award 2026, the UK and Ireland’s most prestigious crime fiction award. The winner will be revealed on the opening night of the Theakston Old Peculier Crime Writing Festival, Thursday 23 July.

The Russian-born German pianist Igor Levit, one of the most politically outspoken and intellectually restless musicians of his generation, is to launch his own record label — NO SILENCE — with three debut releases due on 23 October 2026 in partnership with Sony Classical.

With their third album It Could Be Today set for release this October, Sons of Sevilla are entering a new creative chapter. The West Yorkshire sibling duo, Reuben Vaun Smith and Henry Smith, have expanded their dreamy blend of psychedelic soul, dream-pop and West Coast influences following a transformative tour across the United States.

Fresh from signing with EMI North, Glasgow’s walt disco return with their electrifying new single, Coup de foudre – a bold, dancefloor-ready anthem that signals an exciting new chapter for one of the UK’s most distinctive alternative bands.

It turns out that many of the things we were told - and chose to believe - about this country’s ancient rituals may not be true after all.

Fresh from his first headline European solo tour, Jack Cullen is preparing for his most ambitious challenge yet: running 22 ultramarathons in 22 days from Berlin to London ahead of his biggest headline show to date at Oslo Hackney.

House of Wonder, assembled to mark Beamish's seventieth birthday, is above all a personal album, and that comes through in every bar. To celebrate the occasion, Beamish has returned to the instrument that first shaped her career as a performer in the 1980s: the viola. Crucially, the instrument she plays throughout is a viola made in 2014 by Stephanie Irvine—a gift that, in Beamish's own account, rekindled her relationship with the instrument entirely. The album gathers works written by Beamish for herself to play alongside new commissions from her three children—all accomplished musicians in their own right—and a circle of close collaborators.

The music is, for the most part, elegantly crafted rather than profoundly searching—these are miniatures that delight in surface and atmosphere rather than structural ambition—and there were moments when the lush, exotic colouring put me in mind of Rimsky-Korsakov, particularly the languorous orientalism of Shéhérazade.